Do your customers believe it’s more effective to talk to women about women.
No, they don’t. If that were the case, they could just listen to their own female staff. They’re often perfectly knowledgeable, but no one ever listens to them. However, we are not asked as women, but as experts. Expertise outside their own area of knowledge – as a separate specialist entity, as it were – is very much accepted among male-dominated circles as well.
Are you consulted a lot on packaging issues?
Far too little, actually. There’s a lot we can say about packaging design, as we’ve conducted various general studies on it. For instance, we’ve got a customer in furniture design and asked ourselves: what is it that makes a piece of furniture male or female? And so we started to think about design in general. We ended up with a catalogue of criteria which also allows conclusions about packaging.
Could you perhaps share a few criteria?
You’ll find a list on page 81 of my latest book What Do Men and Women Buy?: Shape, size, material and the temperature of material play a major role. Obviously, there are also surface structures, colours, ornamentation, as well as weight, the technical level and partly also the stylistic periods that are evoked. What appeals to women is often the exact opposite of what appeals to men. When we put together all the various elements, we can turn items into something ranging between very male and very female, like with the slider control. This allows for a lot of leeway. If something is straightforward, square and angular and if such features occur in large numbers, then the effect is extremely masculine, while rounded objects really do have a more feminine impact. If you apply this to packaging, to shapes, sizes, colours, surfaces and images, then it gives you an abundance of options, so that you can be very purposeful in your design.
Regardless of contemporary taste? Surely there are also different fashions in design.
Well, that’s why I mentioned stylistic periods just now. However, there are some features that are quite timeless. A few years ago, Apple gave a great boost to white products as opposed to black ones and white packaging over black packaging. Both design and advertising agencies heralded this as a paradigmatic shift. However, the phenomenon was limited in time and only applied to certain products, so it disappeared again. “Whiteness” was only applied in one or two dimensions. The spirit of the time only ever plays a role with some of the available options. If you want to sell a technical gadget to a man, you’ll never succeed if you put pink elements on it and use packaging with rounded edges. It simply goes against the male self-image. They wouldn’t touch it with a barge pole.